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He remarked that his oil paintings, pastels and watercolors should speak for themselves. When asked about his depictions of horse-drawn carriages in the streets of Paris as well as outdated fashions - dresses and other garments that bore the hallmarks of pre-1930s fashion design, for example - he cited a fantasy he had about being able to “stop time” so that the Second World War wouldn’t have taken place.Ī humble man, Cortès refused interviews and preferred anonymity. Later, during World War II, Cortès and his family spent time in Normandy to escape the horrors of the conflict. When he was able to return to his easel, Cortès desired solely to paint peaceful scenes of France’s capital city. The artist spent time sketching enemy positions on the front lines, and this may have deepened his anti-war resolve.

Cortès went on to study at École des Beaux-Arts.Īs World War I gained steam, Cortès willingly joined the French military effort even though he was a pacifist. He found success among art critics as well as the public and earned renown in France. The son and pupil of Spanish painter Antonio Cortès, his influences included Barbizon painters Constant Troyon and Henri Harpignies.Įstablishing a name for himself early on in his long career, Cortès first exhibited a painting he called La Labour at the Société des Artistes Français when he was still in his late teens. Édouard Leon Cortès is widely known for his Impressionistic renderings of Parisian promenades and rustic French hamlets.